Structured Listening

S12 · Chapter 7 · MC 451 Research Methods in Mass Media

Dr. Alex Leith

Today’s Agenda

  • What a number cannot tell you
  • Immersion, and structured listening
  • Three modes of watching
  • Field notes, and the rhythm that keeps them

Three Numbers, One Climb

Sodapoppin, November 2018

  • 27,934, then 28,076, then 28,203 concurrent viewers
  • Two hundred sixty-nine viewers in 122 seconds
  • The dataset records that climb to the second
    • What it cannot tell you is what the climb was

Same Rows, Four Events

  • A raid: another streamer sending their audience over
  • A viral clip on Reddit, pulling in strangers
  • The streamer returning from a break
  • A game update, or a good night accumulating

The row looks identical in all four cases. Today is about how you come to know which one it was.

Signatures You Learn by Watching

  • A raid has a signature
    • A near-vertical jump in the count
    • A wave of near-identical greetings in chat
  • A viral clip has a different one
    • A slower swell of arriving viewers
    • They do not know the room’s conventions
  • You bring the labels, and only if you looked

Immersion and Structured Listening

  • Immersion: sustained attention before analysis begins
    • Here it takes the form of structured listening
    • Watch, read chat, take notes, with an ethnographer’s discipline
  • The data is historical, the platform is live
    • 5.5 days in 2018, and the site is open right now
    • The behaviors it recorded are still there to watch

Skipping It Costs You

A coder who has never watched Twitch reads the log as plain text and:

  • Sees LULW as a typo or a username
  • Sees thirty identical posts, not copypasta
  • Sees “@sodapoppin same” and cannot tell agreement from reflex
  • Sorts everything confidently into buckets that mislead

Your Turn

  • Name a convention an outsider would misread
    • In a media space you already know well
  • What would they count wrong, and which direction?
  • Which Twitch convention do you not know yet?

Thick Description

  • Thick description captures meaning, not only events (Geertz, 1973)
    • Rich enough to say what it meant to those present
  • Thin counts messages, thick knows the count
    • Raids, inside jokes, and reflexive replies
  • Structured listening is how thin becomes thick

The medium changes and the discipline does not.

Mode One, Casual Watching

  • Initial exposure and nothing more
    • Open several streams across the range
    • A large gaming channel, a small one, Just Chatting, art
  • Do not take notes, and do not code
    • Let the medium be unfamiliar
    • What surprises you, and what do you not understand?
  • The goal is exposure replacing assumption

Mode Two, Focused Watching

Choose a few streams and watch with one dimension in mind per pass:

  • Chat behavior: pace, who it addresses, when it changes
  • Viewer trajectories: climb, hold, or fall, and why
  • Host moves: read aloud, react, ignore, or steer

Brief notes after each pass. You are still describing, not coding.

Mode Three, Analytical Watching

  • Watch more streams, asking what recurs
    • Do chat behaviors cluster with kinds of stream?
    • Does competitive-game chat differ from art-stream chat?
  • Which cases resist easy description?
  • The contours of your coding scheme show up here

Field Notes Exist or Not

  • Observation without a record is watching television
  • Field notes are written, dated, and specific
    • Not polished prose, but thinking on paper
    • They catch an observation while it is still fresh
  • The notes do not need to be good, they need to exist

Observational and Methodological Notes

  • Observational: what you saw
    • “Chat moved in bursts, near silence while they talked”
    • “Then a flood every time they paused”
  • Methodological: a measurement problem
    • “The bursts are answers, and performance for the room”
    • “A coder reading text cannot see the question”

Theoretical and Comparative Notes

  • Theoretical: links an observation to a framework
    • “The burst pattern fits uses and gratifications (Katz et al., 1973)”
    • “Chat volume responds to host moves, it is not a trait”
  • Comparative: how cases differ
    • “Gaming chat ran fast, art chat ran slow”
    • “They are not the same object”

The Rhythm

  • One plain-text document, dated, one entry per session
    • The Hub template carries the four note types
  • A note every fifteen or twenty minutes
    • The record has to keep pace, because memory will not
  • Your codebook gets assembled out of these notes

Observation Tests Your Question

  • Your prospectus commits you to some distinction
    • Observation will confirm it, or complicate it
  • The classic case is directed against broadcast
    • Watch a while and you find messages aimed at neither
    • Replies, arguments, and inside jokes between regulars
  • A two-way split gains a third term

That is not a failure of your prospectus. It is the cheapest possible moment to find out.

Before Next Time

  • Due this week: Topic Selection and Research Questions
  • Next week: the Project Prospectus
    • Submit the version you can defend, not the one you love
  • Start your field-notes document tonight
    • Template on the Hub, dated entries, four types
    • Log two observation sessions, one gaming and one not
  • Read the rest of Chapter 7

Questions?